![]() If you really love RGB and want to sync all your peripherals up to the beat of the same light show, though, consider Razer’s Seiren series instead. The design of that stand, along with the understated, retro aesthetic of the mic capsule itself, makes this the most stylish USB microphone, and that’s important when you’re streaming yourself for an audience of judging eyes. Logitech’s Blue Yeti is built to a very high standard and will stay where you angle it on its weighty stand. It’s just about the easiest mic to use on the market and really excels when picking up a single vocal signal at a time. The venerable Blue Yeti was there at the birth of the streaming boom, and it’s still a ubiquitous desktop feature on Twitch. If you’re looking for a mic that will make you sound great while you’re chatting with teammates or streaming over Twitch, look no further. The NT-USB+ improves upon the NT-USB - already an impressive USB microphone - to deliver fantastic-sounding, clean audio with a low noise floor. The NT-USB+’s internal DSP allows for advanced audio processing, which can be activated using one of Rode’s apps - Rode Central, Rode Connect, or the new Rode X Unify software. It does not have a gain dial or a mute button. It features a 3.5mm high-power headphone output for zero-latency monitoring on the mic, as well as two dials to control mix and headphone volume level. The NT-USB+ comes with a 9.8-foot (3m) USB-C to USB-C cable, a plastic tripod desktop stand, a detachable metal mesh pop shield, and a detachable ring mount that can be easily mounted on a boom arm (or a different stand). This condenser microphone produces excellent vocals with a solid low end and very little self noise - giving you broadcast-quality sound in an easy-to-use, plug-and-play package. Rode’s NT-USB+ retains the sturdy, professional design of its predecessor - the NT-USB - but adds some pretty impressive upgrades, including enhanced circuitry, Rode’s Revolution Preamp technology, and an internal DSP (as well as USB-C connectivity). ![]() The Best Gaming Microphones You Can Buy Today ![]() The same goes for the other end of the spectrum - you can't hear 22,000 Hz unless you're a Pomeranian, but you can "feel" the extra harmonic details in the high-end tones your ear does pick up. Some mics go beyond this - while this may seem unnecessary because you can't hear the extra details they pick up, you can "feel" subharmonics within the low-end frequencies. The baseline range for a decent mic is 20 Hz - 20,000 Hz - the limits of human hearing. Inline monitoring lets you hear exactly how you sound, so you don't end up accidentally shouting to be heard over background noise that's only on your end.įrequency Response Range: This is an important spec that tells you the lowest- and highest-pitched sounds the microphone membrane is capable of picking up. Inline Monitoring: Many gaming microphones offer inline monitoring via a built-in headphone jack, which lets you hear the raw audio, lag-free, directly from the mic. When used properly, studio mics offer higher quality and more versatile recordings, but don't have an ADC, a built-in digital-to-analog converter (DAC), or built-in noise suppression. The other option is an XLR-based studio mic, which requires an audio interface. USB Mic or XLR Mic: USB-based gaming mics are not the only option for the streamer, competitive gamer, or home recording enthusiast who happens to play some Fortnite on the side. This isn't the best polar pattern for a gaming mic, though it can be used to record multiple voices in close proximity, if you're in a pinch. Omnidirectional: The opposite of cardioid - this polar pattern picks up sound from all directions, and is best for capturing room noise and ambient sounds such as reverb from a loud instrument. This is better for recording two voices simultaneously, though it's always better to use separate mics to record multiple voices, if possible. Bidirectional: Has two fields of polarity - one on either side of the mic.
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